I started my career back in 2000 as a maternity photographer.  Maternity photography eventually led to newborn and family work, and I’ve been pretty much doing that ever since.  

Over the years I’ve had the honor of photographing couples in their first pregnancy, with their first baby, then their second and sometimes third. 

I’ve watched children grow up.  

I’ve documented the changes and the milestones. I’ve been there for celebrations and sometimes even losses. I’m seeing my own boys change into pre-teens.  And I’m noticing adult children turning into the caregivers of their own parents.

Life is an amazing thing.  And I’m honored to be in a career that allows me to see it and document it for my clients, friends and family.

It is no secret that I love working with babies! I love capturing the connection and love of parents and their new son or daughter.

But as my own children grow and as I see the babies I once photographed walk through my studio doors as young adults, I find that the definition of what it means to be a family photographer has changed for me.  

It’s not just about little babies.  It’s not just about those first few years.  

It’s about all the years.

It’s all beautiful.  

It’s all important. 

So please, drag your teenager in.  Call up your mom or dad and make an appointment for just the two of you.  Get a portrait made of your pre-teen, braces and all. 

You’ll be so glad you did.

Clients often comment on the fact that my work does not look like other newborn photography they’ve seen.  Part of that is due to my minimalistic style.  I don’t pose babies or use props, which I know is uncommon in my field.  But part of my look is also due to the way I capture my images.  

Everything seen on my website was shot on film.  And the subtle look of film is, what I believe, people are seeing when they comment on the distinct look of my work. 

I choose film because my goal is to create timeless images for my clients.  I want their baby’s photos to have the same sense of nostalgia that baby photos of their grandparents have.  Film helps me create that.  

I also choose film because I know I can trust it. 

I don’t know what the future holds.  I don’t know if we will be able to open and view a CD or a thumb drive or even what will happen to “cloud storage” in ten, twenty or 100 years from now..  What I do know is that the floppy disks I used in college are obsolete, but the film negatives I have from my own childhood and even from my parent’s childhood are still printable.  I know that when I shoot a roll of film the lab will scan it and send it to me as a jpeg file that I can then save on my computer and share with my clients.  But, if (God forbid) something were to cause my computer or my hard drives to crash, there would still be the negative, and those images would not be lost.  

I choose film because shooting film makes me a better photographer.  It slows me down.  It makes me think.  It allows me to look up from my camera and connect with the people I’m working with.  

Most importantly though, I choose film because it brings me joy.  I share that joy with my clients and it comes through in my images. It also inspires me, which means I love my job and even after 16 years of doing it, I never feel burt out.  In fact, I look forward to each and every session I shoot and am looking forward to many more years to come.

As the mother of twins myself, I kind of fall to pieces when twins come into the studio.  I mean, the only thing better than a newborn baby are two newborn babies, right?!

This brother and sister duo were just the cutest!  Seriously!  So tiny, and so content to lie there next to each other, all snuggled up.  

This shoot is also special to me because I've worked with this family before.  I've seen them go from a three to six, and I have to say, the best part of my job (aside from cuddling newborns) is watching families grow.  I love it!

Images captured on a Contax 645, with Fuji 400h and strobes.
Processed and scanned by Richard Photo Lab.